It’s getting hot where I am in Buenos Aires, but I know it’s getting cold where a lot of you are! Here’s a nice little warming flashback to Marc Jacob’s Fall 2010 collection…
Charlotte Fiell’s latest compilation has just been released today: ! I’m guessing this will be a gorgeous sourcebook for original images of twenties fashions. I want this now! But I can’t buy it until February when I move to London (and therefore have a bookshelf to put it in!). Oh well, you kids can buy it now at . Here’s the blurb:
Saucy flappers and manic Charlestons, dramatic silent movies and the bigband euphoria of early jazz: the 1920s must surely rank amoung the most dashing eras in American styles history, and this volume documents in ravishing detail the clothing that helped make the decade so stylish and glamorous. Sumptuously illustrated with more than 600 original photographs, drawings and prints, Fashion Sourcebook 1920s focuses largely on the Art Deco period, with its beautiful beaded dresses, cloche hats and t-bar shoes as worn by the fahsionable flappers and the “bright young things” of the time. Hemlines and haircuts both became drastically shorter, mirroring the changing social roles: at the decade’s outset, women gained the right to vote and Prohibition led many otherwise law abiding Americans to break the law of the land rather than abandon their gin fizzes. This title will prove an indispensable reference work not only for students of fashion but for all fashionistas seeking ideas for the major themes within fashion during this period, surveying its most famous designers and assessing their creative contributions. A cornucopia of beautiful clothes with exquisite detailing, this book is a rich source of inspiration as well as an important survey of Art Deco fashion.
Just released today, a new book claiming to be the most comprehensive survey of hairstyles ever published. I trust this will be an amazing sourcebook, with tonnes of inspirational images, since it’s coming from Charlotte Fiell, the editor behind those fantastic Taschen design icon books – you know the ones? She also has two fashion sourcebooks being released soon: being released in a few days, and due out in March 2012. I’ll post about those shortly.
Here’s the blurb for Hairstyles Ancient to Present:
No part of the human body is as culturally determined, and as diverse in its possible expressions, as hair. The afro, beehive, bob, bouffant, bowl cut, dreadlocks, mullet, mohawk, perm, pompadour – from year to year, and from era to era, old and new hairstyles come and go, telling a new tale about their wearers each time around. Hairstyles: Ancient to Present is not only the most comprehensive survery of hairstyles ever published, it is also a visual celebration of this endlessly inventive cultural phenomenon that looks at the entire cultural sprectrum of hairstyle, from ancient Greek tresses and eighteenth century powdered wigs to Art Deco bobs and Punk spikes, to the latest directions in the world of hairdressing today. Throughly researched, with 800 illustrations, this book showcases an amazing array of wonderfully imaginative styles, while also demonstrating the remarkable skill of their creators. It includes over 1,000 hairstyles, from resplendent Victorian chignons to 1950′s ponytails to the creations of today’s top stylists. With page after page of visual inspiration, Hairstyles contextualises through its accompanying texts the historical and and cultural relevance of hairdressing in society, as well as analyzing its role as a signifier of social status.
John Galliano chooses theme after theme for his menswear collections that I love love love! Fall 2006 was aviation, Spring 2006 had New Orleans and jazzmen, and now for Spring 2011 it was epic show themed on silent movie stars like Charlie Chaplin and Harold Lloyd. Look at this!
Carl Erickson (1891 – 1958) was an American fashion and advertising illustrator from the 1910s through to the 1940s. At the peak of his career, he signed his work “Eric” and was known by this name. He worked a great deal for Vogue in the 1930s and 40s. He had a reputation for being obsessively hardworking. He only ever sketched from live models. For each illustration that appeared in a magazine, he had made dozens of studies. And he was known for bringing his sketchbook with him everywhere he went – to the restaurant, to the theatre – and capturing the elegance he saw around him.
Understated, I like it. Other pieces in the show were fairly dowdy, but I’d walk down the street in any of these numbers. Shame on the hair and makeup stylists for not being more bold, but I do appreciate the red lippy…