“I wanted to reinvent the mystique,” said Karl Lagerfeld, talking about locating the collection in one of Coco Chanel’s favorite summer haunts—she visited Venice for almost ten years beginning in 1919 and met Diaghilev here.

“Coco on the Lido,” as Lagerfeld called it, started with a tableau of figures in tricorne hats and cloaks—cover-ups for a play on girdles and bras as bathing suits. Next came Tatjana Patitz promenading in creamy lace as the picture-hatted Edwardian mother in Death in Venice, her sailor-suited son Tadzio and his two sisters in ingenue fan-pleated dresses trailing behind. From there, the sequence took off into matelot- and gondolier-inspired stripes, interpreted in long-line fine-knit cardigans and playful beachwear with funny red and white striped wedge booties. The references kept streaming out—a halterneck dress fashioned in plissé knit to suggest Fortuny, the deep Doge red and the golden lion motif of the city flag, shimmery sequins and glass embroidery made to imitate the light of Venice glancing off water.

Pictures and Blurb from Style.

I just adore her and I think she looks fabulous!! I heart Glee!

[Photo Credit: gettyimages.com/wireimage.com/style.com]

NEW YORK – MAY 03:  Iman attends the Costume Institute Gala Benefit to celebrate the opening of the “American Woman: Fashioning a National Identity” exhibition at The Metropolitan Museum of Art on May 3, 2010 in New York City.

(Photo by Kevin Mazur/WireImage)

Here is a close up of her fabulous finger waves!