Carl Erickson (1891 – 1958) was an American fashion and advertising illustrator from the 1910s through to the 1940s. At the peak of his career, he signed his work “Eric” and was known by this name. He worked a great deal for Vogue in the 1930s and 40s. He had a reputation for being obsessively hardworking. He only ever sketched from live models. For each illustration that appeared in a magazine, he had made dozens of studies. And he was known for bringing his sketchbook with him everywhere he went – to the restaurant, to the theatre – and capturing the elegance he saw around him.
Ginger is definitely one of my greatest idols, and her look in the 30s inspired me to go blonde myself. She had a long career, so her style (and hairstyles!) span the golden era of showbiz. Here are some of her looks that I love love love.
Well, I’m in Argentina right now, so Modcloth shopping is out of the question. Boooo. But you should all go buy some delicious shoes over at , so that I can live vicariously through you Send me photos! Here’s a danceable selection….
Oh what a delicious editorial in this month’s Vanity Fair, shot by Tom Munro! The shoot is to promote the upcoming film W.E (directed by Madonna!) which will premiere at the Venice Film Festival in a few days. If you haven’t heard about it yet, W.E of course stands for Wallis and Edward, and the film will explore the story of the romance between Mrs Wallis Simpson and King Edward VIII, who abdicated the throne to marry the glamorous divorcee. Some stills have been released from the film, so I will post those as well – it’s going to be a Swing Fashionista’s dream come true, swoon!
For me, as a vintage clothing collector and wearer, old clothing catalogues are must have as they are gold-mines of imagery and info. Part of recreating a vintage look is understanding how an outfit was put together back in the day, and old catalogues are the best way to find this out.
The clothes people bought to wear to work, around the house, for vacations or for more formal or glamourous occasions are all to be found in Sears catalogues. Dresses, hats, shoes, purses and scarves, jewellery and stockings. These books are a wonderful record of exactly what people wore in the 20s, 30s and 40s and HOW they wore it. It can be hard to source original catalogues these days and most go for a fortune on ebay, so these three “Everyday Fashions” books from Dover Publications are great resource and not too expensive. I use them all the time as a reference. They are available from
A divine book about a divine style icon, not just for the photos of Cary Grant in all his splendor, but a wonderful read as well. What a way to express fashion and style:
I’m talking about style, not only in the sense of how he wore his Savile Row suits, but style as a revelation of character, as a way of facing the world, a means by which all of life’s riches are embraced and celebrated.
I stumbled across this photo of Cheryl Cole in a golden gown on the X-Factor. It reminded me of some photos of vintage starlets in metallic gowns I have set aside over the years. Amongst the beauties here we have Ginger Rogers, Jean Harlow, Baba Beaton, Rita Hayworth, Eleanor Powell, Nancy Coleman, Veronica Lake, Myrna Loy, Carol Hughes and Delores Del Rio. Wow, I need something like this…
Seriously, are those really their names? I’ve missed this whole Kardashian revolution and have no idea who the “Kardashian Sisters”, oh famed tabloid darlings, really are. What do they do exactly? How many are there? Do all their names start with a K? Well anyway, these two have a vintage noir, femme fatale look going strong in this shoot for LOVE Magazine, shot by Patrick Demarchelier. Enjoy!
This is a book I bought myself for Christmas. It covers fashion history from the 18th century to the 20th century, with glossy photographs of the collection held by the Kyoto Costume Institute in Japan. The book has been out for a while, but oh my, if you don’t own it yet, go out and buy it immediately! So much inspiration for any swing fashionista, the kind of clothes that are so beautiful it makes my chest ache. The Poiret, the Schiaparelli, the Chanel, oh god the Vionnet! The Vionnet, people! Now I want desperately to visit the Kyoto Costume Institute. A holiday to Japan anyone?
Seriously folks, this book is sheer fashion heaven. It is definitely now one of the favourites in my collection. You can buy it . Enjoy!
Some very elegant looks in this collection, all with Jean Paul Gaultier’s signature touch of audacity (or indecency, whichever way you like to look at it!). The 30s and 40s influence is there, though there’s a feeling of 2011 does 1986 doing 1941, if you know what I mean. And I couldn’t help but include the can-can skirt here, how delicious! No better way to end a fashion show, but with a little high-kicking down the runway. The whole affair makes me think of a nightclub in Paris, today or perhaps in the early 1980s. The Lido, or the Crazy Horse…
$500? Oh, why is this adorable vintage 40s/50s knit tee so expensive? Sob! This would look so cute with my high-waisted sailor jeans. Oh well. If you are feeling plush, go get it
René Gruau was a fashion illustrator, most famous for his work in the 1940s and 1950s. He walked away from his father’s aristocratic heritage (his father was an Italian count), to pursue an artistic career in Paris in the twenties. As an illustrator his work was first published when he was only 14 years old, in the mid-1920s. He illustrated throughout the 1920s and 1930s, but during the Second World War, work was harder to find for artists, which is what led Gruau to illustrate for lesser known designers, including the then lesser-known Christian Dior. He became artistic director for advertising for Christian Dior in 1947. Gruau and Dior worked together to shape and market the New Look, and became close friends, hence why Gruau is most often associated with the house of Dior.
He didn’t only illustrate for Dior however, but for other designers and fashion houses including Pierre Balmain, Jacques Fath, Balenciaga, Elsa Schiaparelli, Rochas, Lanvin, Elizabeth Arden, and Hubert de Givenchy, and for many magazines including Marie-Claire, Femina, Elle, Vogue, Harper’s Bazaar, Flair, L’Officiel and Madame Figaro, not to mention those illustrations for The Moulin Rouge and Lido in Paris that you may recognise.
His illustrations shaped the path of Haute Couture, and influenced fashion itself, in a true life-imitating-art-imitating-life way. For me Gruau’s women are glamour and high-society, femininity and sensuality. When I see his illustrations I think of Paris, I think of Vogue, I think of champagne and the Moulin Rouge, and the French Riviera, of perfume and red lipstick. Gruau died at the age of 95 in 2004 – so recently! *sigh*
Backstage shots of hair and makeup at the show, fantastico! You can see, to give the models that haughty, high cheek-boned and highly arched brow look of Rene Gruau’s fashion illustrations in the 1950s, they used Face Lift Tape! Apparently it’s common in the fashion world and the entertainment industry, I had no idea!
Send me photos! Here’s a danceable selection….
