John Galliano chooses theme after theme for his menswear collections that I love love love! Fall 2006 was aviation, Spring 2006 had New Orleans and jazzmen, and now for Spring 2011 it was epic show themed on silent movie stars like Charlie Chaplin and Harold Lloyd. Look at this!
Look at these perfect water waves and tiny, tiny pincurls!
Lilyan Tashman was a Ziegfeld girl, silent film actress and a model, from the late 1910s until the early 1930s. She appeared onstage in the Ziegfeld Follies, and in films including Head Over Heels, The Garden of Weeds, Ports of Call, Pretty Ladies, Seven Days, Texas Steer, Camille, So This is Paris, Craig’s Wife, The Trial of Mary Dugan, The Marriage Playground, and The Gold Diggers of Broadway. She died in 1931 of cancer, at the age of 38.
Anna May Wong (January 3, 1905 – February 2, 1961) was an American actress, the first Chinese American movie star, and the first Asian American to become an international star. Her long and varied career spanned both silent and sound film, television, stage, and radio.
Born near the Chinatown neighborhood of Los Angeles to second-generation Chinese-American parents, Wong became infatuated with the movies and began acting in films at an early age. During the silent film era, she acted in The Toll of the Sea (1922), one of the first movies made in color and Douglas Fairbanks’ The Thief of Bagdad (1924). Wong became a fashion icon, and by 1924 had achieved international stardom.
Frustrated by the stereotypical supporting roles she reluctantly played in Hollywood, she left for Europe in the late 1920s, where she starred in several notable plays and films, among them Piccadilly (1929).
She spent the first half of the 1930s traveling between the United States and Europe for film and stage work. Wong was featured in films of the early sound era, such as Daughter of the Dragon (1931) and Daughter of Shanghai (1937), and with Marlene Dietrich in Josef von Sternberg’s Shanghai Express (1932).
In 1935 Wong was dealt the most severe disappointment of her career, when Metro-Goldwyn-Mayer refused to consider her for the leading role in its film version of Pearl S. Buck’s The Good Earth, choosing instead the European Luise Rainer to play the leading role in “yellowface”. Wong spent the next year touring China, visiting her family’s ancestral village and studying Chinese culture. In the late 1930s, she starred in several B movies for Paramount Pictures, portraying Chinese-Americans in a positive light. She paid less attention to her film career during World War II, when she devoted her time and money to helping the Chinese cause against Japan. Wong returned to the public eye in the 1950s in several television appearances as well as her own series in 1951, The Gallery of Madame Liu-Tsong, the first U.S. television show starring an Asian-American. She had been planning to return to film in Flower Drum Song when she died in 1961, at the age of only 56.