Cute Double Strap Scalloped Mary Janes at Plasticland

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Check out these adorable cheapies: just $49.00!  Not leather, so they might not be the best for swing dancing, but damn cute for strutting about in (and that makes them vegan shoes!). Website says “made of a slightly distressed (crinkly) black and taupe leather-look vinyl, they feature rounded toes, unique easy-to-use hook-on double straps, and thick stacked wood 2 1/2″ heels. Fit true to size, medium width.”

Get them here: www.shopplasticland.com

Actually, they have a bunch of cute shoes that Swing Fashionistas might like, all for less than $50:

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Old school / New school

I do love vintage clothes, but unfortunately, they are really hard to find and most of the time don’t fit at all, specially when you’re a midget. So i decided to show some modern clothes i like and details about it that make it look really glamorous or vintage to me.

Some cool Tops in order of apparition : Urban outfitters, Manoush, New look and Asostop-inspirations

Do it hair-self

Here are a few pictures, that i saw a while ago that inspired me to create my own hair accessories. The best thing about doing it yourself is that you can make it exactly the way you want and it is most of the time a way better quality and it is also cheaper.

My own pictures are of course not as good as the professional one, but they’re just here to show, that you can do it. Hair accessories can really complete an outfit and they won’t bother you as much as neclaces or huge earrings, so it is something you want to keep in mind.hair accessories

Anna May Wong is heartbreakingly beautiful

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Care of Wiki:

Anna May Wong (January 3, 1905 – February 2, 1961) was an American actress, the first Chinese American movie star, and the first Asian American to become an international star. Her long and varied career spanned both silent and sound film, television, stage, and radio.

Born near the Chinatown neighborhood of Los Angeles to second-generation Chinese-American parents, Wong became infatuated with the movies and began acting in films at an early age. During the silent film era, she acted in The Toll of the Sea (1922), one of the first movies made in color and Douglas Fairbanks’ The Thief of Bagdad (1924). Wong became a fashion icon, and by 1924 had achieved international stardom.

Frustrated by the stereotypical supporting roles she reluctantly played in Hollywood, she left for Europe in the late 1920s, where she starred in several notable plays and films, among them Piccadilly (1929).

She spent the first half of the 1930s traveling between the United States and Europe for film and stage work. Wong was featured in films of the early sound era, such as Daughter of the Dragon (1931) and Daughter of Shanghai (1937), and with Marlene Dietrich in Josef von Sternberg’s Shanghai Express (1932).

In 1935 Wong was dealt the most severe disappointment of her career, when Metro-Goldwyn-Mayer refused to consider her for the leading role in its film version of Pearl S. Buck’s The Good Earth, choosing instead the European Luise Rainer to play the leading role in “yellowface”. Wong spent the next year touring China, visiting her family’s ancestral village and studying Chinese culture. In the late 1930s, she starred in several B movies for Paramount Pictures, portraying Chinese-Americans in a positive light. She paid less attention to her film career during World War II, when she devoted her time and money to helping the Chinese cause against Japan. Wong returned to the public eye in the 1950s in several television appearances as well as her own series in 1951, The Gallery of Madame Liu-Tsong, the first U.S. television show starring an Asian-American. She had been planning to return to film in Flower Drum Song when she died in 1961, at the age of only 56.

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