High-glam flappers, showgirls and cabaret singers, revamped in technicolor…
Tag: 1920s
Flapper Dress
Straight from the J. Peterman Company:
It was the 20’s in America.
The Great War had just ended.
The image of women, with hair piled on heads, standing immobile on the tennis court, waving a racket, just didn’t cut it any more.
Exit the Gibson Girl.
Enter the new woman: rebellious, out there, living life on her own terms.
And if you had Zelda Sayre’s money (flush with the success of Scott’s This Side of Paradise, and impending marriage to him) you might have found this beauty.
If you knew where to look.
Flapper Dress (No. 2610). Feels like a whisper in silky crinkly georgette. Which could be the only thing about it that whispers. A remarkable confection of sheer silk, clear and black beads and rhinestones that catch the light and never lets it go.
Hem dips in the back. Picot edging gives it an airy feel with no visible stitched edges. Everything is made for easy movement. A rare combination of let it all hang out fun with sophistication that you’ll wear through the holiday season.
Or anytime anyone thinks they have you pegged.
Women’s sizes: 2 through 16. Imported. On Sale. Was $698, NOW: $268.
Color: Black.
Stockings
J’adore!!! Unfortunately I don’t know who is the maker of these fabulous tights otherwise I’d own them. Let’s not forget to mention how stunning this photo is. Ah….maybe one day the Killer Diller girls will do a photo shoot like this….
image via Sang Bleu magazine
Jo’s Picks: Chanel Resort 2010
The 350 guests reclining on sun beds in the famous white tented cabanas certainly felt privileged to be witnessing the extreme glamour of the designer’s learned-but-light invocation of an important part of Coco Chanel’s biography, one that was overlaid with passing allusions to Visconti, Fellini, the Venice carnival, and the city’s art treasures.
“I wanted to reinvent the mystique,” said Karl Lagerfeld, talking about locating the collection in one of Coco Chanel’s favorite summer haunts—she visited Venice for almost ten years beginning in 1919 and met Diaghilev here.
“Coco on the Lido,” as Lagerfeld called it, started with a tableau of figures in tricorne hats and cloaks—cover-ups for a play on girdles and bras as bathing suits. Next came Tatjana Patitz promenading in creamy lace as the picture-hatted Edwardian mother in Death in Venice, her sailor-suited son Tadzio and his two sisters in ingenue fan-pleated dresses trailing behind. From there, the sequence took off into matelot- and gondolier-inspired stripes, interpreted in long-line fine-knit cardigans and playful beachwear with funny red and white striped wedge booties. The references kept streaming out—a halterneck dress fashioned in plissé knit to suggest Fortuny, the deep Doge red and the golden lion motif of the city flag, shimmery sequins and glass embroidery made to imitate the light of Venice glancing off water.
Pictures and Blurb from Style.
Vogue Italia March 2010
Yet another editorial I adore, photographed by my beloved Steven Meisel. This one, entitled “In Grand Style” for Vogue Italia, an opulent 1920s tale of romance, excess, passion… as well as hats, slicked hair, cigarettes, furs, oh my!