Marlene Dietrich kicks off her shoes
Marlene Dietrich at a recording studio in 1952 (taken by Eve Arnold):

Tagged: 1950s, fifties, Marlene Dietrich
Marlene Dietrich at a recording studio in 1952 (taken by Eve Arnold):

Backstage shots of hair and makeup at the show, fantastico! You can see, to give the models that haughty, high cheek-boned and highly arched brow look of Rene Gruau’s fashion illustrations in the 1950s, they used Face Lift Tape! Apparently it’s common in the fashion world and the entertainment industry, I had no idea!
Thanks to , we can get a closer peek at the lovely coiffed hair, Gruau-esque makeup, killer heels, contrasting colored gloves, half-moon manicures and fine details that made me love this show so so much…
Oh god, kill me now! I can die happy after this collection. It’s Galliano’s tribute to Christian Dior’s fashion illustrator, Rene Gruau, who made the New Look so iconic in the 1940s and 50s. Perhaps I’ll post some Gruau illustrations to let you see just how strong the influence is here. It also reminds me of Gene Kelly and An American in Paris, which I watched again recently. Oh Galliano, marry me! Or more to the point, dress me!
Here is the entire collection. I would normally just post my top picks, but I feel this one stands as a whole. Enjoy!
A forties/fifties blend with softly curled hair and a classic red pout. Lovely…
Gasp! I must right this wrong immediately! One of my all-time favourite shows:
Sarah Mower on :
Categories: On CatwalksIn a way, it was a classic: combining the indelible fifties inspiration of Lisa Fonssagrives, Dior mannequin and wife of Irving Penn, and that of the new model of French conservative chic, Carla Bruni-Sarkozy. Those two streams of thought merged into a collection John Galliano called “fresh couture—restrained and refined.” If it didn’t exactly result in 100 percent conventionality (there were plenty of sheer skirts and fetishistic patent belts that might not work at a political summit), the happy fact that the first lady of France has chosen to dress at Dior gave Galliano full rein to revel in the realms of glamour the house established 60 years ago.
The templates were all there: big coats, wasp waists, nipped jackets, circle skirts, tulle dance dresses, architectural gowns cut from spiraling lace and jutting scrolls of crin. Mostly framed in black and white, with tints of gray, caramel, Parma violet, mint, and chartreuse to follow, the shapes traced familiar silhouettes—albeit a familiarity shot through with Galliano’s irrepressible touches of perversity. A nod to Dior’s New Look peplum became a stiff patent hip-jutting belt with cross-lacing in the back, and a knowing acknowledgment of the basis of the hourglass silhouette came in a couple of see-through gowns with the corsetry fully on display. Still, this was Christian Dior very much under control and within the scope of reality. Add some lingerie and take off the belts, and it’s no stretch at all to imagine Madame Sarkozy finding plenty here to wow the world in her demure manner, come fall.
Scarlett does Marilyn for Dolce & Gabbanna perfume and cosmetics. And pink pink pink…
Here’s a few quick pics of me in Avalon (yes, like the song) on Catalina Island, for the Catalina Jazz Dance Festival in November 2010. The first is on the ferry over with the Casino Ballroom in the background, and the second with Miss Catalina 2010, on the slab. Round sunglasses are Top Shop, the aviator jacket is Zara, the dress is vintage 1950s from Eons in Pittsburgh, the yellow scarf from Thriftique in Pittsburgh, the cream scarf from a vintage market in Paris. I’m going back to the 2011 festival for sure! Beautiful weather, great bands, and the most beautiful ballroom I’ve ever been in in my life. And this time I’m bringing a vintage bathing suit and I’m going to strut my stuff for the Miss Catalina contest. Come on ladies, who else is in?
Cindy can still pull off femme fatale, that’s for sure. Not bad for 44 years old, huh?
Well it’s far from historically accurate, but anyway I’ve been wearing an early 50′s tartan dress as a costume for my new Cakewalk number with Juan, so I thought I’d post up a photo. We do a lot of high kicks, so it was a nice opportunity to wear a frilly crinoline – again, completely historically inaccurate, but has a nice effect on stage. Yay, frills!
Categories: ClothingSo I was procrastinating a few days ago, browsing vintage dresses on eBay with no intention of buying (no seriously, I went on a November shopping spree, so no more this year!). And I got to thinking about the photographs of vintage clothing for sale online. What a resource! When somebody sells a vintage dress online, they photograph the dress from all angles, with closeups of details and embellishments – they show more detail in those photos than most costume museum archives! It’s an amazing historic record. Plus, so many of these dresses are one of a kind, or at least, the last of their kind.
But the photos are online only as long as the item is for sale, and given that it’s changing hands to a new owner, it may never be seen again! Once the listing is deleted, that photographic record is lost to us! Sitting there, I had a terrible panic that we were losing a valuable resource, oh my word! And proceeded to nab as many photos of the 1920-1940s dresses listed as I could. So yeah, an hour later…
Anyway, what do you think? I’ve always liked to post the lovely vintage things I see on eBay and Etsy, here on SwingFashionista. That way, even if none of us get to buy them, we can still enjoy the pictures, get inspired by the style, and maybe even use them as a reference for making our own. And well after the original listing is gone and the item has headed on to its new owner. But now I feel like I’m on a mission!
What are your thoughts? Want to join my mission? Do you have that same photo-saving habit I do? Do you have a folder on your desktop, filled with photos of pretty things from the glorious internet? So why not start your own blog? Or send them to me and I’ll always post any gathered photos of original 1920s – 1950s fashions here on SwingFashionista. Drop a comment if you have a thought!
Oh yeah, and to satisfy, here are some of those photos
This lovely 1940s & 50s pinup played Danny Kaye’s love interest in a number of films, and in the late 1940s, the Sultan of Morocco declared her beauty to be proof of the existence of God. She could dance too…
A fun editorial with Audrey Hepburn influences…
Hmm, haven’t posted up any Dita recently…